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, by Sue Roe
Free PDF , by Sue Roe
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Product details
File Size: 1155 KB
Print Length: 370 pages
Publisher: HarperCollins e-books; Reprint edition (December 13, 2008)
Publication Date: October 6, 2009
Language: English
ASIN: B000XPPVO2
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Amazon Best Sellers Rank:
#194,033 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
The book was an excellent read, but could be difficult for those with little or nobackground on the Impressionists or Paris during the time that they painted.The book moves quickly, but seamlessly from painter to painter.It also talks about the early friendships, exchange of ideas, and the eventual fallingout of some of the painters. Money and patronage, along with the hope of obtainingrecognition of the Salon, thereby getting official recognition for their work and thepossibility of a larger group of monied collectors.The book goes into some detail about the personal struggles of various Impressionists whocame from wealthy families, but because of their work or social relationships were either estrangedfrom, or grudgingly given a stipend.Finally, the book gives credit to early collectors and the struggle to bring the Impressionist workto America, which strangely, Monet opposed.This book is well researched and goes into topics that other books on the subject often leave out.
Wife loves this book! The author goes beyond the paintings & the names of the painters, and looks at - as the title so aptly defines - 'the private lives of the impressionists', and how that played out when they painted. Not a book for those just wanting the same ol pretty paintings, but one that will enrich one's understanding of Impressionism, and provide insight into why the painter did what they did. . .
It must have been a monumental undertaking to write a group biography of these incredibly engaging artists ( Manet, Renoir, Pissarro, Monet, Degas, Cezanne, Morisot ) and to be able to distill the essential characters of all of them in a single volume. That is the strength of this book. Sue Roe not only provides just the right amount of detail about each of the artists that comprised the original group of Impressionists individually but is able to synthesize their stories so that a complete image of how they influenced one another and related to each other emerges in these pages.The personal family lives, financial woes and interpersonal conflicts and alliances are well told and the reader is brought into the world in which these artists first emerged and worked in an incredibly vivid manor.There are of course the paintings themselves and a book that would do justice to the entire catalogue that these prolific painters produced would by necessity be volumes long. Here I believe the author made sacrifices to ensure the narrative of the group biography remained readable and accessible. In my opinion she succeeded brilliantly. I thoroughly enjoyed this and found it quite enlightening in many respects.
Recently I had to give a talk for my women's club. and I didn't want to just repeat all the common things that artists know about impressionists. And this book was very helpful and was filled with info not widely known about them. And about France during the mid 19th century. Plusses were historical insights into people and events affecting the lives of the impressionists. I REALLY liked the book and it was easy to understand and not at all like a textbook about art. If you want to "go behind the scenes" then this is the book for you.
Well researched and enjoyable- but one small detail bothered me: the author has a tendency to call male painters by their last names (Monet, Pissarro, etc), but female painters by their first names (Berthe, Mary, etc). I doubt it was intentionally dismissive, but it was grating.
This fascinating account of the lives of the Impressionists also includes the historical context of the times which deepens our understanding of the trials and difficulties these artists endured. Knowing the "backstory" of many of the paintings enhances our enjoyment and appreciation of the magnificent art created by the Impressionists. This was a "page turner" for me and an important contribution to the understanding of the French Impressionists and their art.
It is to Sue Roe's credit that THE PRIVATE LIVES OF THE IMPRESSIONISTS is not a fun or funny book.Ms. Roe is a serious scholar and she has written a serious work.Writing a definitive biography of even just one person is a huge and somber undertaking...writing an anthology about an entire discrete group is almost too huge to comprehend.Yet because PRIVATE LIVES is not fun in no way negates its worth.Sue Roe has assembled the ultimate work on those artists who coalesced to form the movement now well-loved as "Impressionism."She explains the history of the movement, and how reviled it had been by the establishment. In the process of this explication, she also tells a great deal about the moment in which this movement came to life, at the precise time of the transformation of Paris from a patchwork of farming communities to a cosmopolitan city.She does as good a job of detailing the Franco-Prussian War and the Commune as I have read anywhere.Roe has done enormous research on the personal lives of the most important of the artists, and of their joint struggle to be accepted for the type of imagery they were trying to display.It was startling to read that the great names of Impressionism considered themselves to be cohorts and supporters of one another.I didn't have fun reading THE PRIVATE LIVES OF THE IMPRESSIONISTS, but the time spent was worthwhile. The book was everything that I hoped it would be: A true learning experience.
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